Skip to main content

Art Portuguese Houses In Panjim (Fontainhas)

Art Portuguese Houses



Art Galleries in Fontainhas

There are a couple of art galleries in Fontainhas, which are frequented by art and architecture students who come to learn about the ancient architecture of Goa. Fontainhas Art Festival is organised here every year for a week when the historic houses are turned into galleries. The residents of these houses display their artworks, unique architectural features of their balconies, and furnishings in their dining halls. 


Art work inside the houses



Every year, for one week, the historic houses in Fontainhas are turned into art galleries, with residents displaying their artworks, unique architectural features of their balconies, and furnishings in their dining halls.

Art houses resorted



Coloured wash on Portuguese houses in Goa
The coloured wash on the houses looked decorative and was a sign of economic well-being. During Portuguese rule the owner of the house was fined if his house was not painted. Till date, the houses are freshly painted every year.

The colourful Portuguese houses in Goa

The houses and the lanes are kept very clean. During Portuguese rule , every urban resident was mandated by law to paint his house every year after the
monsoons, this practice is still continued as a tradition.

Comments

Post a Comment

Popular posts from this blog

Patto Bridge

  Patto Bridge The Patto bridge a historic monument built by the Portuguese is a small bridge in Panjim the capital city of Goa. The Patto bridge is the extension of the causeway known as Ponte de Linhares (‘ Ponte’ in Portuguese means Bridge ) that is about 3.2 kms long and is considered to be one of the longest bridge in South Asia. Also the oldest causeway of its kind it links Panaji with the Ribandar village.  Architecture The Panjim side Patto Bridge is also a beautiful piece of architecture. The expertise of the Jesuits of the College of St. Paul (Collegio de Sao Paulo) in Old Goa was availed of in 1632 and the massive bridge, the longest and oldest in the whole East, was built on alluvial soil after stabilizing it with solid trunks of local timber known as “ zambo” or “jambo” (benth). T he bridge a fine piece of architecture with Roman style arches is built of laterite stone and the area around the bridge is known as Patto. The Patto Bridge is pai

CAFE BODEGA

CAFE BODEGA SUNAPARANTA CENTER FOR THE ARTS (CAFE BODEGA) Located within one of Panjim's best known art galleries, is a well loved cafĂ© called Bodega. Finding its home in the restored heritage mansion at top of Altinho's hill and catering to frequent patrons of the centre.  These Goan houses were built using the locally available red laterite heavy stones and set in lime motor placed not lengthwise but breadthwise to create thicker walls. These massive walls were designed to keep the sun’s heat out in the summertime while retaining the internal heat in the winters. Big windows were provided in the high walls for the excess light to brighten the deep dark interiors. A layer of mud, jiggery and lime was used as a plaster for its walls originally which has now been replaced by cement in restoration work. Smaller wooden beams or ‘vashe’ as they are called in Konkani which formed the rafters were used to change the slope of roof

SIRIDAO CHAPEL

SIRIDAO CHAPEL Siridao lies on the northern fringe of the ancient Gopakpattana port, which once covered coastal areas of Goa Velha and Agasaim. Ships from different parts of the world dropped anchor till a millennia ago at this teeming port.  The quaint architecture of the Jesus of Nazareth chapel at Siridao has remained shrouded in obscurity, but a few are convinced the unusual dome-shaped structure holds a key to evidence of  pre-Portuguese Christianity and a multicultural society in the area. Perched on the edge of a hillock with a panoramic view of Zuari bay, the centuries-old chapel appears to be an extension of a smaller dome-shaped original.  The Jewish presence may have been wiped off during the inquisition in Goa from 1560 to 1812. Cave behind the Chapel  The third statue stands faded and forlorn in an open area behind Siridao church.   "The Portuguese Jews arrived in India as traders probably